Field Recordings 5

November 9-10-11 2024 at Worm Rotterdam

This November we will add a new chapter to Field Recordings with a program oscillating between anthropology, cinema, and art. The fourth edition features slow films, radical self-portraits, live sonic performances, and much more.  Founded in 2018, Field Recordings is a platform for screening, discussing and practicing critical forms of fieldwork - from sensory ethnographies and experimental documentaries to live sound performances and situated praxes of listening.

FIELD RECORDINGS 4 includes conversations and QA’s with Lana Askari, Loes Moree, and Zheng Lu Xinyuan. The program is curated and organized by Tim Leyendekker and Sander Hölsgens.  Daytickets are on sale through the WORM website. It will also be possible to buy single tickets for all programmes at the box office, 15 minutes before the screenings start. Keep in mind there will only be a limited amount available and that day tickets are the more advantageous option.

November 9

20:00—21:30

▪ Goshogaoka
Sharon Lockhart

22:00—23:30

▪ Blind Cinemacurated
by Lukas Simonis

▪ Faux Naturel
João Castro Pinto

▪ Urban Nature
Justin Bennett & students of the Institute of Sonology, the Hague

November 10

14:00—16:00

▪ Mat Et Les Gravitantes
Pauline Pénichout

▪ MعLMIN
Loes Moree

▪ Niu In The Last Day Of Fall
Zheng Lu Xinyuan

16:30—18:45

▪ The Cloud In Her Room
Zheng Lu Xiuuan followed by an online discussion between Lana Askari and Zheng Lu Xinyuan

▪ Focus program 2

20.30—22:30

▪ Jet Lag
Zheng Lu Xinyuan

November 11

11:00—22:30

▪ The Works And Days
(Of Tayoko Shiojiri In The Shiotani Basin)
C.W. Winter & Anders Edström

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